The MB62 is an extremely versatile telescopic camera crane suitable for working on any film set, TV studio or sports arena. It is easy to operate and will carry all types of camera packages up to 90 kg in weight.
Despite the MB 62’s reach of 62 ft plus it can be transported in a standard 16 ton truck or a bespoke trailer.
We are proud to own one of the worlds most impressive telescoping cranes on the market, using the latest technology and materials.
Τhis crane telescopes smooth, quiet and precise to make your shot more significant and polished than ever 45 feet [13.7 meters] of telescoping movement at a touch of a button.
The MovieBird Crane still retains the principles of a telescopic crane system. It is designed and built to offer limitless creative possibilities, to reach the most inaccessible places, to manoeuvre in the tightest of corners, telescoping in and out silently for that shot at a moments notice.
High-end digital electronics enable the operator to program the actual range of movement. Nine digitally controlled speed settings with additional smooth logarithmic movement fades.
NEWTON S2 stabilized remote head is used on a variety of moving applications such as telescopic cranes, cable cams, high speed rails, tower cams, tracking cars, motorcycles and boats.
NEWTON´s ultra-compact design enables installations of moving cameras in front or overhead of audience, without obstructing the view of spectators nor other cameras. Get the live TV viewers closer to the action with the NEWTON stabilized camera control system.
The SRH-3 is a three-axis fully stabilized remote head allowing for cameras to go where no person can with increased flexibility and ease. Whether it be on set, in a studio, or at an event, our new intelligent and adaptive Stabilized Remote Head SRH-3 has the full force of ARRI technology behind it. The Stabilized Remote Head SRH-3 fills a niche while offering top quality and performance.
The Scorpio Head SB92 is a remote, digital and modular head, composed of 3 modules that allows to work into 2 or 3 axis. The first one is a programmable rotary disk, the second one becomes a 2 axis head PAN and TILT, that can be adapted to any camera through the incorporation of the risers of 50 and 150 mm and to rotate in a centered zenithal plan.
The MagicHead is a simple but robust 2-axis digital remote head. It’s ‘modular’ design and rigid construction make the head very stable and it delivers a performance usually only seen in a much more expensive Remote Heads. Each axis has a unique ‘dual motor’ drive system which eliminates any backlash or play in the drive gears and gives the head a very smooth change in direction.
48v power drive system capable of 100lb payloads and speeds up to 40 mph. With dual batteries, run time can exceed 8-10 hours and system health is consistently monitored from the Pulse controller. Users control how much torque is needed through gain tuning, drive wheel slip control, acceleration and overall top speed. With our mitchell mount and extended tray the 48v Dactylcam can carry nearly any head and camera package up to 100lbs.
The HDC-P50 is a light, compact Point of View (POV) system camera. Integrating seamlessly with existing HD infrastructure, lenses and accessories, it gives ambitious programme makers exciting new possibilities for creating HD, 4K HDR and HD HFR productions.
This light and compact POV system camera features the world’s first 2/3-inch 4K global shutter three CMOS sensor system that delivers exceptional image with impressive sensitivity and wide dynamic range.
Thanks to ultra-high precision alignment technology, three 4K sensors on the newly-developed prism achieves ITU-R BT.2020 broadcast standard widened colour space. As a result, the HDC-P50 delivers exceptionally high-quality images in demanding 4K/HDR live production environments.
Compact heads like Grass Valley LDX C86N are mainly used on the rail systems, compact remote heads, Spidercams or in a mixture of gyroscopic stabilizing systems. They would integrate better as they do not include hand grips, shoulder pads, viewfinders or intercom connections which are found in system cameras.
These compact cameras are a cost-efficient addition to full-sized system cameras.
The Black arm comes in two versions. The Black arm Standard is made to work for gimbals and cameras with weight range between 5-13kg (11-28lbs). The Black arm Complete is for users working with higher loads and carries between 5-32kg (11-70lbs). The damping action of all axes, vertical, tilt and roll is created by custom made actuator hydraulic dampers that are fully adjustable.
The HCAM is highly flexible and features configurable mounting options and video interfaces, allowing the unit to be mounted to broadcast cameras for sporting events, ENG cameras for news and even prosumer cameras to broaden the market reach.
With user interchangeable RF modules and a range of software options, the HCAM continues the line of innovative, high performance wireless camera systems from Vislink.
A motorized dolly system that gives you track and height control all in one package. The advantages are numerous, the Furio system enables one single operator complete control of track movement by a right and left foot pedal, lens height by controlling the main column up or down and the comfort of choosing any remote head desired for any kind of camera.
Movie Crane has 4 trucks at its disposal for the transportation of the equipment. Mercedes 818, Volkswagen Transporter 4×4, Volkswagen maxi caddy, Ford Transit.
Our trucks can be used to support any kind of production with the authorized crew.
